FINE ART INVESTMENTS SINCE 1978
Title: "Impressionist Autumn Landscape"
Medium: Original Oil on Canvas
Canvas size: 20" x 24"
Framed size: 26" X 30"
Born in the province of Vermland, Sweden, Alfred Jansson studied art in Stockholm, Oslo, and Paris. He immigrated
to America and settled in Chicago in 1889, but he did not become a U. S. citizen until 1922. Jansson continued his art
studies in his adopted city and painted murals in the Swedish Building at the World’s Columbian Exposition of 1893.
For more than two decades, beginning in 1898, he was a prolific exhibitor in the Art Institute of Chicago’s annual
exhibitions, showing landscape paintings exclusively. Jansson worked mainly in oils and occasionally in watercolors
and pastel. His subjects, rarely specified in his titles, were drawn from the Chicago region as well as from his native
country, which he revisited at least once, in the early 1920s. He was particularly noted for his winter scenes, one of
which earned him the Art Institute’s Clyde M. Carr Prize in 1914.
Jansson belonged to such local organizations as the Palette and Chisel Club, the Chicago Society of Artists, and the
Artists Guild, but he was particularly active in Chicago’s community of Swedish-American artists. He was a juror for
the first and only exhibition of the short-lived Swedish-American Art Association, in 1905, and between 1911 and
1924, he participated in the annual Exhibition of Works by Swedish-American Artists at the Swedish Club of Chicago,
of which he and Arvid Nyholm were founding members. Jansson was one of seven artists who painted murals in the
Swedish Club’s banquet hall, a project completed in 1922. He was represented in American Painters of Swedish
Descent, an exhibition that traveled to New York and three cities in Sweden before appearing at the Art Institute in
Two of Jansson’s landscapes were included in the art exhibition at the 1915 Panama-Pacific International Exposition
in San Francisco. At Thurber’s Art Galleries in Chicago, he was the subject of a solo show in 1916 and a joint exhibition
(with Charles Warren Eaton) in 1918, both of which were covered in feature articles in the Chicago-based Fine Arts
Journal. “His work is imbued with poetry,” noted one reviewer, “and carries that rich quality which is so much loved
by the devotees of the modern landscape school.”i Another solo exhibition followed in 1922, at J. W. Young Galleries,
and in 1932 the Midland Club hosted a memorial display of his landscape paintings that prompted Chicago Tribune
critic Eleanor Jewett to call Jansson “one of the finest portrayers of snow we have ever had.”