FINE ART INVESTMENTS SINCE 1978
Title: "La Loge"
Origin: Gazette Des Beaux-Arts, Paris, 1911
Medium: Original Drypoint Etching
Sheet Size: 10.5" X 7"
Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to
study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883. In 1884
Legrand studied engraving under the Belgian printmaker Fe´licien Rops.
Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life.
Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the
Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching."
His black and white etchings especially provide a sense of decadence; they have been compared to those of
Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young
women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three
hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are
executed with great skill, delicacy, and an ironic sense of humor that pervades them all."
Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic
drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman
and claws on its hands; the second, "Naturalism", showed the French novelist E´mile Zola minutely
studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugene
Rodrigues, he was found not guilty in the lower court, but was convicted in the appeal court and then given
a short prison sentence for refusing to pay his fine.
Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with
text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with
the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In
1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas
illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the
Century Dance Classes).
Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple
country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who
became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was
his first artist; he also published Toulouse-Lautrec and Fe´licien Rops among others. Legrand did not only
work in graphics; he exhibited paintings at the Paris salon of the Socie´te´ Nationale des Beaux-Arts
starting in 1902. In 1906 he was made a chevalier of the Le´gion d'honneur. He died in obscurity in 1951. A
retrospective exhibition was held at the Fe´licien Rops museum in Namur, Belgium in 2006 to celebrate
Legrand's graphic art. The art collector Victor Arwas published a catalogue raisonne´ for the occasion.