FINE ART INVESTMENTS SINCE 1978
Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won
the Devosge prize at the school in 1883. In 1884 Legrand studied engraving under the Belgian printmaker Fe´licien Rops.
Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which
featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black
and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin
Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the
night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades
Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark
monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist E´mile Zola minutely studying the thighs
of a woman with a magnifying glass. Defended by his friend the lawyer Eugene Rodrigues, he was found not guilty in the lower court, but was convicted in the appeal
court and then given a short prison sentence for refusing to pay his fine.
Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym
Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892,
at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse
Fin de Siecle (The End of the Century Dance Classes).
Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat
Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his
first artist; he also published Toulouse-Lautrec and Fe´licien Rops among others. Legrand did not only work in graphics; he exhibited paintings at the Paris salon of
the Socie´te´ Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Le´gion d'honneur. He died in obscurity in 1951. A retrospective
exhibition was held at the Fe´licien Rops museum in Namur, Belgium in 2006 to celebrate Legrand's graphic art. The art collector Victor Arwas published a catalogue
raisonne´ for the occasion.
Title: "La Loge"
Portfolio: Gazette Des Beaux-Arts
Medium: Original Drypoint Etching
Limited edition: Unknown, presumed small
Sheet size: 10.75" x 7"
Image size: 7.75" x 5.5"